Showing posts with label Jack Nicholson. Show all posts
Showing posts with label Jack Nicholson. Show all posts

Wednesday, June 12, 2013

Dork Art: Toy Shining!


Ok, ok.  So remember just one post back how I bemoaned that there are so many dork mashups out there that they all start to blur together.  Well, here's one more for you and it just might be the most horrifyingly mesmerizing yet - artist Kyle Lambert has seen into the abyss and it's a dark mixture of classic Pixar & Stanley Kubrick.  Seeing Woody in the role of Jack Torrence is truly disgusting, but I can't look away.  Just wow.  Thanks to Crome Yellow for the assist.








--Brad

Thursday, February 14, 2013

Dork Art: Oscars Legends


The Hero Complex gallery is gearing up to launch their Oscars Legends series this weekend.  Rather than showcasing this year's nominations, the gallery will focus on the Academy's past glories.  You've got your typical stuff like 2001 and Chinatown, but it's the spotlight on Bram Stoker's Dracula and The Incredibles that really got me smiling.  For more artwork and further info click on over to Slash Film.






--Brad

Wednesday, January 30, 2013

Dork Art: Super Mike Mitchell


For the next 48 Hours, Mike Mitchell is offering a random grab bag of his Super prints for $30.  But two grab bags and get a Super Krang for free.  This is most certainly tempting.  The rarity of the 4 x 6 prints varies, but the only thing holding me back from purchasing is my fear of scoring the Spongebog Sqarepants, the Pokemon, and Zelda.  Knowing my luck that would most certainly be the outcome.  But Sam Jackson's Jules or John Goodman's Walter?  Those are amazing.  Click HERE to start your grab bag.


--Brad

Friday, January 4, 2013

Dork Art: Weapon of Choice


Another year, another kickass art show I have no chance of ever seeing in person.  But that's what why god invented the internet.  Starting January 11th in Los Angeles, the Hero Complex Gallery will be hosting the Weapon of Choice art show.  The theme being cinema's great partnerships of man and killing tool.  As much as I love Bruce Yan's Shaun of the Dead tribute, I think my absolute fave is Tim Jordan's Love Gun, James Bond's greatest weapon indeed.  Check out Slash Film for a few more nifty pieces.





 



--Brad

Wednesday, August 8, 2012

Dork Art: The Shining Snowcone


Here's a bit of art that once seen cannot be unseen.  Deviant Artist Emperor of the Damned is the culprit and he's an obvious madman.  Love it.

--Brad

Friday, July 20, 2012

Dork Art: Come Play With Us

Ok.  See you in your nightmares, kids.  This print from Isaac Bidwell is seriously creepy and it's something that I cannot unsee.  So yer totally Welcome.  Buy it HERE.

--Brad

Sunday, May 27, 2012

Brad's Week In Dork! (5/20/12-5/26/12)


A lighter than usual week for me, there were still a few rather nifty highlights.  Back at the AFI Silver, Matt & I caught Chinatown on the big screen.  Roman Polanski's wannabe noir has always been one of my favorite films and getting the chance to see a living print on Sunday was a real delight.  The only bummer was that the theater was not packed, and they relegated the screening to their smaller theater # 2 while the Avengers of Old British People i.e. The Best Exotic Marigold Hotel played in their main hall.

The other two films I caught on the big screen were Battleship and Men In Black III, but I both film were rather disappointing-which is saying something cuz I wasn't expecting much from either flick.  I mean how could anyone expect anything of quality based on a board game, right?  

And with all the Dark Knight Rises posters and banners popping up on the internet this week I found myself surprisingly purchasing the new Batman - Knightfall omnibus from DC Comics.  It's a beast of a book and it's wonky writing for sure, but it was a fun nostalgic trip back to the goofy 1990s.


MOVIES OF THE WEEK!


Chinatown:  "Well, to tell you the truth, I lied a little." Chinatown is at once a tribute to film noir and a continuation of the genre; Jack Nicholson is a smartass P.I. with a reputation, grabbing cash from the product of infidelity that leads him down the rabbit hole of corporate and government treachery. Faye Dunaway is the damaged goods damsel and John Huston, the smiling chomping dragon. As the plot unravels and the obvious becomes less obvious, Nicholson discovers even further depths of futility that even his hardened gumshoe knew not possible. A painful, brutal tale handled artfully by both Roman Polanski and Robert Towne. Maybe not in my Top Ten films of all time, but it's right there in the Top 20.


Battleship:  Despite some potentially wonderfully terrible lines of dialog like "Chicken Burrito her" and "Mustard done got run over by a garbage truck," Peter Berg's Battleship takes itself way, way, way too seriously and is far too much in love with itself to be any kind of fun. Taylor Kitsch continues his streak of attaching himself to doomed properties and sucks up the screen as a slacker sailor forced into action as light sensitive alien mech suits invade Hawaii for some god forsaken reason. Prepare yourself for loud whirring sounds, sparks, sparks, sparks and crash boom bang boring nonsense. Maybe, just maybe, if the script had a sense of humor or at least a wink to Michael BayAwesomeness than you could chuckle at the ridiculous board game turned multi million dollar blockbuster, but as is, Battleship is just an embarrassment.  And long.  And boring.  Sunk.


Jack's Back:  1988, 100 years after Jack The Ripper terrified the city of London, a series of copycat murders spring forth under the neon lights of Los Angeles. James Spader plays twin brothers caught in the middle of the killings with Robert Picardo's mama's boy police detective hypnotizing his way to the truth. Director Rowdy Herrington would go on to direct the 80s cheeze classic Road House, but Jack's Back is a rather weak rip off of the much superior Robert Bloch short story "Your's Truly, Jack The Ripper." Still, Spader is fun in the duel roles, especially the slimy naughty brother.


The Two Jakes:  Fifteen years after Chinatown, Jack Nicholson returned to the hanky panky world of private detective JJ Gittes and decided to step behind the camera when original director Roman Polanski simply knew better. The neo noir style is gone despite the addition of unnecessary pulpy narration and the flat eye of cinematographer Vilmos Zsigmond. Honestly, The Two Jakes is not a terrible film. It's just no Chinatown. And when your first film was so damn good, you really have to have a fantastic narrative to justify your existence, but try as he might Robert Towne fails to elevate the poisoned past plot.  This sequel is better left forgotten.


Top Gun:  Once a staple of my childhood, Top Gun now seems to slog through its fighter school plot of ass hole pilots trying to out-jackass their fellow students by spiking volleyballs, chewing gum, and causing nearly catastrophic aerial "look at me!" stunts. Tony Scott obviously loves mounting his cameras onto planes and I remember the dog fights looking fairly badass on the big screen, but trapped inside the television, the fight choreography fails to sizzle. And the relationship between Cruise and McGillis is completely lack of romance no matter how much shadowy lovemaking montages they splice together.


Men In Black III:  It's been fifteen years since Will Smith originally got jiggy with the shadowy organization known as the Men In Black and its been ten years since Agents J & K took down the abomination that was Laura Flynn Boyle. And was anyone looking for a third outing? Not me. And for the most part, this sequel feels worn-out and tired, even when it's thankfully not relying on worm aliens or talking pugs. The time travel plot involving Josh Brolin's young Agent K is kinda fun with his dead-on (and dead pan) Tommy Lee Jones impersonation but there's also plenty of missed historical opportunities and flat jokey jokes.  Jemaine Clement does a pretty good Tim Curry as the one armed baddie Boris The Animal and Alice Eve stands around looking pretty. Michael Stuhlbarg steals the show (as usual) as the fifth dimensionally challenged being at the center of the alien murders. Men In Black III is a solid way to kill an afternoon, but I would not shell out for nighttime (and especially not 3D) prices.


COMICS OF THE WEEK!


Batman - Knightfall Volume 1:  The 90s Epic that pit crime lord & wannabe luchador Bane against Bruce Wayne's sick & sniveling Batman. The first volume of Knightfall is a massive tome weighing in just over 600 pages, and only towards the end, after The Bat has been broken and Wayne has awoken from his coma do we get any sense that Bats is any kind of a badass. For most of this story, Wayne is on the verge of collapse. Even before Bane busts all the loonies out of Arkham, he's got the sniffels. Just taking down C List villains like The Ventriloquist and The Mad Hatter is a challenge let alone the main rogues like The Joker or Scarecrow. Honestly, seeing every issue conclude with an exhausted and frowny faced Batman is rather annoying. Especially when the mantel has to be passed to Jean Paul Valley's god crazy Azrael and this new bling bling Batman takes on Bane's underworld with such ease. Bruce Wayne is tougher than this book gives him credit. It tries too hard to justify Bane's reign over Gotham, slighting the character of the billionaire vigilante; transforming the icon into a mental weakling.


Still, it's fun to revisit this media orchestrated event. And there is a glimmer of an interesting creation in Bane, the anti-Batman. I can easily see Christopher Nolan molding this oh-so-90s idea into a brutal brawl for The Dark Knight Rises, and I really hope the final Nolan film takes its climax cues from Knightfall's conclusion. BREAK THE BAT!  And I gotta admit,  I am looking forward to venturing into volume 2 (&3!) of Knightfall. Jean Paul Valley is a serious loon and even if I don't quite understand what Wayne was thinking when he gave the suit over to this nutter, it's fun to see this razor clawed Batman beat the maniacs of Gotham to a bloody pulp.


Batman - The Court of Owls:  Collecting the first seven issues of The New 52 Batman, The Court of Owls doesn't necessarily retcon everything we've come to know about the caped crusader (this is still Bruce Wayne, the revenge?/justice? fueled vigilante, caretaker of three acrobatic wards), but it definitely has some fun with the history of Gotham. A John Doe murder sends Bats through the mirror darkly of historical conspiracy, involving a legendary court of manipulative high society bird brains and their unstoppable Talon assassins. Writer Scott Snyder takes full advantage of former Spawn artist Greg Capullo's slick and violent style, plunging The Batman into the sewers of Wayne's psyche. And his Owls creep me the hell out. I appreciate how this first volume doesn't neatly conclude the plot and even promises further exploration of Gotham's secret history as Batman & company will most definitely face off against an armada of fresh rogues. Man, it's nice to not just have another Joker punch up.


--Brad

Thursday, May 24, 2012

A Fistful of One Too Many! (Brad's Picks)


Tonight, The Wife & I will be hitting up a midnight screening of Men in Black III.  It's been a decade since the last film and I'm not really sure anyone out there (including the two of us) is all that excited for the third installment.  That second film after all was unforgivably terrible.  I only saw it the once, but it killed any kind of enthusiasm built from the original silly Will Smith (& straight man Tommy Lee Jones) vehicle and I've nearly blocked the visual of Laura Flynn Boyle's groaning plant lady completely from my brain.  It still lurks like a repressed childhood trauma.

That Second Film was definitely unwelcome and probably went one film too far into the franchise.  Can the third film redeem the MIB saga?  Doubtful.  Still, I'm slightly curious to see Josh Brolin's Tommy Lee Jones impersonation and I'm always down for Rick Baker creatures.

It begs the question, what other sequels went where no audience cared?


5.  The Two Jakes:  I just watched this the other night so it's freshly scarred my mind.  The Jack Nicholson directed sequel to Chinatown lacks the noir style of the original, plopping in narration where none is needed and looking horribly flat with that bland 90s lighting.  It's not a terrible film, but where most people site The Godfather Part III as the most heinous sequel to a perfectly contained masterpiece, I'd say The Two Jakes is really the MOST unnecessary sequel in cinema.  That being said, the below films irritate me to an even greater extent cuz it's hard to muster the energy against The Two Jakes since it's just sooooooo easy to ignore...forget.


4.  Rocky V:  After the ridiculously 80s Communist Assault that was Rocky IV, the franchise grinds to a halt with this fifth entry pitting a brain dead Rocky against punk protege Tommy Gun.  Instead of battling it out in the land of the unfree with a must-breaking titan, Rocky takes the fight to the back alleys of the U.S. of A. and slaps a boy around for a bit before the credits roll.  It's just so damn dull after The Wall tumbling climax of part 4.


3.  Alien - Resurrection:  Some might argue that Alien 3 is the one film too many, but there are bits and pieces to that prison break that I enjoy quite a bit.  And truth be told, there are a couple of moments or ideas in Resurrection that I like as well.  But as a whole, this infamously Joss Whedon scripted sequel induces more groans than chills, and when the Newborn rears its ugly ass head at the climax I want to punch the TV screen.  Those stupid blinking eyes and cooing whimpers!  Argh!  It may be a beautiful butterfly, Brad Dourif but I just want to crush it like the gross bug that it is.  And Winona Ryder, yer no Bishop.


2.  Batman Forever:  Christopher Nolan might have saved the Bat saga for the fanboys, but nothing will ever remove the taint left behind by Joel Schumacher's Day-Glo nightmare.  Yes, yes, yes, Batman & Robin is even worse but don't doubt for a second that Batman Forever is a good movie.  Say what you will about the Tim Burton films, but once Tommy Lee Jones' Two-Face starts to cackle your eyes will go wide with disbelief and you'll be praying for Danny DeVito's penguin army.  And yeah, Jim Carrey.  I hate you.


1.  The Matrix Reloaded/Revolutions:  When they were first released, I tried real hard to love The Matrix sequels.  But after a few rewatches, I just couldn't keep lying to myself.  The first film was a nifty sci-fi actioner that mixed some trippy 60s science-fiction novels with a little classroom zen.  But the sequels are way in love with the banal philosophy.  And man, all that CGI-Fu does not hold up these days.  But you could possibly forgive the doughy fisticuffs if the plot was not so pseudo-religously lame.  It might have been fun to see Neo go from hacker to god in the first film, but watching the god plunder about in parts 2 and 3 pretty much kills any kind of tension.  And it's all just so dang smug.



--Brad