Showing posts with label Sean Connery. Show all posts
Showing posts with label Sean Connery. Show all posts

Sunday, February 15, 2015

A Fistful of Over the Top Villains!


    After watching Jupiter Ascending and Kingsman: The Secret Service, I want to take a look at some of Cinema’s best wacky, over the top, out there villains.  There are many, of course.  And I’m sure we all have some favorites.  I’ve been seeing some serious shade thrown at Eddie Redmayne’s particular performance in Jupiter Ascending, but I thought he was one of the best parts of the movie.  Anyway, here are my top five.

5.  Kasper Gutman (The Maltese Falcon):  A wonderfully erudite and civilized gentleman criminal, he chuckles and blubbers his way through a crime caper, attempting to orchestrate the great heist.  “I’ll tell you right out, I am a man who likes talking to a man who likes to talk.”


4.  Mugatu:  (Zoolander):  He invented the piano-key necktie.  What have you done?  This fashion forward madman will not let you bleeding hearts stop slave labor from making your clothing.


3.  Dominic Hoffo (Slaughter):  This sweaty, racist pig has had it up to here with rug-headed mob boss Mario.  And his day sure doesn’t get better when tough hombre Slaughter gets friendly with his buxom lady.  His fiery end is kind of amazing.  Maybe one of the most amazing things ever filmed.


2.  Sir August de Wynter (The Avengers):  A man should never be afraid to get wet.

That's SIR Sean Connery, my friend.

1.  Jean-Babtiste Emanuel Zorg (The Fifth Element): The weirdly Southern business mogul and servant of evil, he doesn’t mind a little chocolate syrup dripping off his salad bowl hat.  And he knows how to deal with gun-hungry alien soldiers.



-Matthew J. Constantine

Saturday, December 21, 2013

Prodigal Son: A Bit More Homework


                                                                        Part Twenty

    As I’ve been reading over my Prodigal Son posts, thinking about the upcoming push to start a regular roleplaying game, I thought I’d turn again to inspirational movies.  One of my favorite games, one that I very much want to run, is the medieval fantasy game (one of the few fantasy settings I like) Ars Magica.  Ars Magica, typically, takes place in medieval Europe, often around 1200 or so, but in a version less tied to history than to myth, less how it was and more how people imagined it was, ‘Mythic Europe.’  Forests full of fairies, dragons in the mountains, angels & demons, ghosts, and of course, wizards.  The game is about wizards; a secret society of magic users who live throughout Europe, studying, experimenting, and increasing their powers.  There are three levels of player characters in the game.  Magi (wizards) are primary, Companions are secondary, and Grogs are tertiary.  While Magi are the main focus of the game, companions are also fully realized characters with goals and histories.  Grogs are medieval equivalents of  ‘red-shirts’ from Star Trek, rarely becoming more than background players.  Countless movies set in the medieval world have been made, but few that capture the essence of the atmosphere I most connect to the game.  What follows is a list of a few of the best Ars Magica films.




10.  Brave:  Merida, with a few twists, could make an excellent companion.  In a world dominated by men, adventurous women can become more profound, more inspiring, and more interesting.  While Mythic Europe, especially within the world of magi and the Order of Hermes may not be as misogynist as the middle ages actually were, it’s hardly an enlightened world.  There's some good magic and the setting looks amazing.  (See also; How to Train Your Dragon).


9.  A Field in England:  Not even close to the correct era, this film is a perfect representation of the life and times of grogs.  Ignorant, earthy, and slightly cracked, these AWOL soldiers go through a strange, mushroom laced adventure in magic and madness.  While it might be more extreme in tone than I would go for in a game, I think it captures the right mindset for grogs when they’re not under the watchful eye of a magus. (See also; Marketa Lazarova).


8.  Beowulf:  A weird visualization of the myth, Beowulf embraces the crazy adventure and magical mayhem that is the undercurrent of Ars Magica’s Mythic Europe.  One could imagine this story being told around camp fires, inspiring young, adventurous folk to travel north, to seek their fortunes in strange and haunted lands.  (See also; The 13th Warrior).


7.  Brothers Grimm:  While set many centuries later than Ars Magica, this movie captures the more fanciful and mysterious vision of Mythic Europe I’m inclined to attempt.  (See also; Snow White: A Tale of Terror).


6.  Ladyhawke:  Getting past the absolutely awful music (or at least, absolutely inappropriate), this romantic tale is full of charm and magic.  A young thief finds the secret of a beautiful woman and a taciturn knight, and the curse that keeps them apart.  Etienne and Isabeau could easily be companions or a companion and an NPC.  Phillipe would also make a solid companion character. (See also, The Princess Bride).


5.  Kingdom of Heaven (Director’s Cut):  A sprawling epic of the Crusades, this film features various political and religious elements, while also taking us from backwoods village to the urban centers of the Holy Land.  Characters, plots, histories, and events to inspire abound.  (See also; El Cid).


4.  Excalibur:  The ultimate, high fantasy telling of the story of King Arthur, this wild and operatic film is pure magic.  Like Beowulf, it feels like the mythological base for Mythic Europe, a fundamental part of the cultural language of the people who live there.  If this isn’t what happened, it’s what people may have imagined happened.  (See also; The Fool of the World and his Flying Ship).


3.  The Virgin Spring:  A simple tale of lost innocence, a horrible crime, revenge, and a wrestling with faith.  The stark but somehow charming life of a landed man and his family is depicted in this film.  It’s idyllic, until it’s soiled.  The look and feel of the film capture Mythic Europe, including the danger posed by strangers in the wood.  (See also; The Reckoning).


2.  The Seventh Seal:  The disillusionment of Crusaders returning from the wars clashes with the consuming shadow of the Black Death in this haunting and surreal tale of life and death.  The knight and his squire would make obvious choices for companion character inspirations.  But there are plenty of other interesting characters in this film.  And the manifestation of Death feels very much like something one might face.  (See also; Valhalla Rising).


1.  The Name of the Rose:  While this film deals with the clergy and the Church, it doesn’t take much to turn the priests and monks into Magi and the monastery into a covenant.  William might very well be a Quaesitor, sent to investigate some crime against the Order.  Gritty and ugly, it’s also mysterious and oddly beautiful.  This film is kind of a must for Ars Magica players.  (See also; The Advocate).


    There are also several TV series that are worthy of seeing.  The 80s version of Robin Hood, Robin of Sherwood, the recent series Vikings, The Storyteller, and the Cadfael mysteries.  And there are other movies, perhaps not as good or as spot on, that might do for a watch.  Solomon Kane, Erik the Viking, Dragonheart, The Last Legion, Season of the Witch, and others have plenty of fun ideas.



-Matt

Thursday, February 9, 2012

Dork Art: More Great Showdowns

Scott C continues to rule my soul with his smiley renditions of cinema's greatest showdowns.  Soylent Green!  So damn funny.  I love you sir.






--Brad

Friday, January 13, 2012

Dork Art: Indiana Jones and The Last Crusade


Found this over at This Belongs in a Museum and I'm not really sure who the artist is, but damn I love this cartoony take on The Last Crusade.  Denholm Elliott in the back just cracks me up.

--Brad

Sunday, December 18, 2011

Matt’s Week in Dork! (12/11/11-12/17/11)



1408 (aka: This Room’s a Dick):  Though the end goes wonky, this was a pretty entertaining film.  The look and feel was interesting, reminding me of films from the late 70s or early 80s.  John Cusack is a solid lead, able to go from pompous jerk to total psychobilly freakout in 60 seconds.


Darby O’Gill and the Little People:  Disney made some danged strange films once upon a time, and Darby O’Gill must be high up on that list.  An old Irishman sees Leprechauns, Sean Connery needs a job, and Janet Munro is looking for love.  Surreal fun with a somewhat corny (but enjoyable) take on Irish mythology that kind of reminded me of an Irish Rovers tune. 


Mystery Science Theater 3000: Red Zone Cuba:  Oh my goodness, this movie is awful.  With a wandering plot(?), boring and unappealing actors, and seemingly no point, it’s the perfect target for the boys.  And they take full advantage.  The episode is good for a lot of laughs.


Norwegian Ninja:  It’s not like I saw trailer and thought, ‘this will be a typical movie.’  But, wow.  Crazy.  It’s like a Michel Gondry film, only good.  With that twisted Scandinavian sense of humor and a cast of likable weirdos, this movie is really a must see for the seriously bent.  If you pay close attention, you might reach enlightenment, and if you do, you might just be Ninja of the Year.


Sherlock Holmes: A Game of Shadows:  Though Jeremy Brett is still my favorite Sherlock, these new Guy Ritchie films are far too much fun to ignore.  And say what you will, the original stories had all this pulp craziness in them.  It just hadn’t really made it into film adaptations before.  The friendship between Holmes and Watson still puts a smile on my face.  The portrayal of Watson’s wife Mary is such a welcome change from the usual buzz-killing shrill harpy wives in buddy films usually come off as.  I also enjoyed the introduction of Mycroft and Moriarty.  And I really do love the portrayal of Holmes’ fighting style in these films, taken to a new and interesting place in the finale.  Can’t wait for the next one.  America bound?

 
Mission: Impossible - Ghost Protocol:  For my money, Mission: Impossible III is really the first Mission: Impossible movie.  It’s certainly the first one where the writers seemed to be aware the franchise was based on a TV show, and that the show was about something.  Ghost Protocol follows suit.  Not to the same level of mind-messing, but still good.  It’s kind of cliché to take a gadget/tech based team’s equipment away, and make them solve problems in new ways (it’s been done in many action/sci-fi/spy movies before).  But I enjoyed the way it was done here.  I loved the way mistakes happened and things didn’t quite work out.  And then seeing the team react.  Even simple things like trying to get a retinal scan while the scanner is moving.  Well done.  They didn’t reinvent the wheel here, but if you’re looking for a solid action film that’s not totally idiotic, give it a go.


The Tiger of Eschnapur:  Part one of Fritz Lang’s Indian based serial-like epic certainly has its good points.  The location shooting is cool, for example.  But, perhaps due to age, the color seems muted, almost bleached, to the point where things I’m sure should look amazing look a touch shabby.  The actors, all clearly European (or American) seem awkwardly out of place (I mean, they went to India to film.  Couldn’t they find a few Indians to be in the movie?).


A Dangerous Method:  Probably the least interesting of David Cronenberg’s recent work, this is still an excellently executed and acted film.  Keira Knightly puts in a violent performance that will likely draw the most attention, and Viggo Mortensen is wonderfully bitter.  But Michael Fassbender’s desperate repression is the real centerpiece.  Excellent stuff, though on occasion it feels like key moments are missing.  But, the performances hold you through the rough patches.


A Very Harold & Kumar 3D Christmas:  Not as uproariously funny as the second film, this is still good for some serious belly laughs.  Lots of silly 3D gimmickry, potty humor, pot (and other illicit material) humor, and general bad behavior.  Neil Patrick Harris shows up for some more crazy and a new hero is born in Wafflebot.


    I watched a few episodes of the new Doctor Who this week.  Really digging the show.  It doesn’t have the same magic as the original show.  But it has it’s own, which is what’s really important.  I’m really digging Matt Smith’s time on the show.


    So, I went on a weird jaunt with co-Dork Brad to see an 8 minute preview of The Dark Knight Rises.  I wasn’t going to say no.  I enjoyed the adventure of it.  But, waiting in line for about an hour to see a scene from a movie I’m not all that excited about (sorry, fans, I didn’t love The Dark Knight…It was OK.  Not as good as Batman Begins.  Anyway…) was an odd thing to do.  And I think everyone else felt the same way when it was all over.  There was a collective “…And?” vibe at the end of it.  As far as the footage itself goes, it looked pretty good.  Reminded me a bit of a James Bond film, but with a healthy dash of what G.I. Joe should have been.  The only major negative about it was that Bane’s voice was too distorted by his mask, making it nearly impossible to understand him once the music and action kicked in.



    And I finished up The Road to the Rim by A. Bertram Chandler.  A good, quick read, with plenty of the classic space opera excitement and daring do.  I suspect I’ll be enjoying the books in this series for some time.  A nice light entertainment between more serious reading.  But, boy does it make me hungry to get serious on some of the writing I’ve left by the wayside recently.  I’ve spent so much time writing about movies, I’ve kind of neglected my other work.



On a sad note, Christopher Hitchens's cancer siege was finally lost.  It's not a surprise.  But it sucks, none the less. 

-Matt

Sunday, June 19, 2011

And the Winner Is...

I can't say I'm too surprised by the results of our first poll.  Sir Sean Connery was your favorite James Bond, with Daniel Craig a close second. 



-Matt

Wednesday, April 27, 2011

Zardoz: The 8 Bit Adventure


All this talk of Lee Marvin and Point Blank has rekindled my love for the mad works of John Boorman.  Hell in the Pacific, Deliverance, Excalibur, The Emerald Forest, The Tailor of Panama--these are some great mad movies, but the most bugnuts flick you've hopefully seen (and if you haven't get over to Netflix quick!) is Zardoz.

Well, Badass Digest just posted this wonderfully bizarre 8 Bit Video Game adaptation that just has to be seen.  Absolutely wonderful.  


I only wish that we could play the rest of the game.  Come On People, start the write-in campaign!  Let's make the Zardoz game a reality!



--Brad