Showing posts with label George Orwell. Show all posts
Showing posts with label George Orwell. Show all posts

Wednesday, May 15, 2013

Book Review: The Centrist Manifesto



    There was a point where I jokingly called myself an arch-moderate.  I’m an extreme centrist.  I also, only somewhat jokingly said that if you believe strongly enough, one way or another, to declare yourself a Republican or a Democrat, you’re too crazy for me to take seriously.  But this was (is) mostly a manifestation of my growing frustration with the vocal elements of the dominant parties in American politics.  Both are wrong about a great many things; typically the things they’re most vocal in advocating.  And like a great many of my fellow Americans, the childish, short-sighted, and often malicious behavior of our elected officials has become so offensive that I feel like washing my hands of the whole thing.  I have often said that the bottom of each list of candidates should have a box labeled ‘No,’ and if it ‘wins’ the election, everyone on that list is off the ticket and a new group of people must be found.

    Try having a sane political discussion with a vocal party member (doesn’t matter which party) when you believe in the right of a law abiding citizen to own guns, to love whomsoever one might wish (stipulating consenting adults, obviously), that it isn’t the government’s place to decide which chemicals an informed citizen wishes to self-administer, that taxes are a perfectly acceptable part of living in a functioning civilization (and the wealthy should pay them, too), that while abortions are a sign of societal failure, banning them does nothing to address the root problem of unwanted pregnancies, or that while a safety net is financially and morally right, a taxpayer funded free ride for individuals or corporations is financially and morally wrong.  You can bet that by the end of five minutes, either that vocal party member will have branded you a communist (if said debater is a Republican) or a fascist (if that debater is a Democrat), or you will be so brain-hurt by irrationality that you need a stiff drink.  I experienced this very thing when switching jobs a decade ago.  I went from a place where my boss and many clients were very right of center to a place where my boss and co-workers were very left of center.  At both jobs, I was seen as a member of the extreme opposing side.  They were so far from the center that anyone not out there with them must be on the opposite end.  But no.  I was (and am) in the middle.  The place I think most of us live in.  And that’s where Charles Wheelan’s new book, The Centrist Manifesto comes in.  He proposes that the parties have become so extreme and partisan they no longer reflect or serve the nation as a whole.  Both parties have been consumed by their most extreme elements, and consequently turned their back on the things that make America great.  E Pluribus Unum.  A government of, by, and for the people.  A place where hard work gets you a piece of the pie.  A place of equal opportunities for all, if not guarantees.


    Wheelan proposes the formation of a third party (not the first time it’s been done), but unlike the passionate idiocy of the Tea Party or the dangerous naiveté of the Green Party, his proposal is a synthesis of the best elements of our two primaries, along with a heaping dose of good old American practicality, rationality, and compromise.  He identifies those things that are good at the core of the Republican party: their understanding of the market, trade-offs between taxation and regulation, skepticism of government involvement, and individual accountability.  And he identifies those things that are good at the core of the Democratic party: their compassion for the disadvantaged, their understanding that good government is a framework for the free market, not an obstacle, and their passion for the environment with an aim for leaving a better world to future generations.  These are not mutually exclusive ideas, in spite of party rhetoric.  And that’s the idea of the Centrist Party, a party that takes the best of each and creates a synthesis more in tune with the majority of Americans.  This will be a party of hard choices, but reasoned ones.  It will not be a party designed to stoke the ego of fringe elements of our culture, but to balance the wishes of the people with the realities of economics and nature.  Sometimes that will mean tax increases, sometimes it will mean entitlement cuts, often it will mean we gain something and pay something.  There is, as it were, no such thing as a free lunch.  And Americans, especially those on the fringe, seem to have forgotten this very basic fact.  You can’t do away with taxes and still protect the nation from terrorists.  You can’t pay for people who are unwilling to work and maintain a healthy economy.  You can’t dump massive amounts of money into a military-industrial complex then ignore the battered soldiers when they come home, banning things people want (books, guns, drugs, abortions, etc.) creates crime that is nearly impossible to fight.  There needs to be a system of tax funded public works and construction to facilitate a free and open market.  Government is needed to do things like help protect citizens (this must include environmental concerns…IT MUST), while it shouldn’t be involved in what we do in our homes.  It needs to build the infrastructure that allows the free market to do its job.  And the sad, but very true, fact is that the free market does need adult supervision (sensible regulation).  When left to its own devises, without checks and balances, it drives toward disaster rather quickly.


    The chapter Sex and Guns is a fantastic example of how to acknowledge differing, yet fully defensible positions on an issue, and still manage to find common ground and actionable solutions.  He correctly dismisses gay marriage as a non-issue that distracts from substantive discussion.  The desire to ban of same-sex marriage is an indefensible position.  Same-sex couples do no harm (and in fact, more of them being married could help society as a whole), thus the government should not block marriages.  This is another case of the supposedly ‘small government’ Tea Party trying to use government in a way that dramatically oversteps its bounds (something they seem very keen to do).  With that useless talking point out of the way, he takes on abortion and gun control, two topics with very understandable and justifiable points of view on both sides.  I’m not going to go into that in this review, but his very rational exploration of the two issues creates an excellent and palatable way of resolving things.  Sure, not everyone will be happy, but it’s not about everyone being happy, it’s about creating a tenable situation, which is something we do not have at this time.  Nobody (sane) wants guns in the hands of criminals and nobody (sane) thinks abortions are good.  But if the war on drugs has shown us anything, it’s that banning something does not solve a problem.  It actually creates a great deal of new and potentially more dangerous problems.

    The book is a call to action for the vast number of us who have become so fed up with the situation we’ve started to tune out.  That ever increasing number of Americans who do not align themselves with either traditional party.  That growing group of us who think of ourselves as ‘fiscally conservative but socially liberal.’  Those people with libertarian leanings, who still believe a healthy environment is a necessary element in any plan for the future.  And those with liberal leanings, who still believe in personal freedom.  We are the sizable middle ground.  We are the average, the every-day.  Some of us are religious, some not.  Some of us like hunting, fishing, and Elvis; some of us like yogurt, poetry, and the Beatles (some of us like all of the above).  Some of us like apples and oranges.  And a lot of us really do care about America, the future, politics, economics, the environment, and all that.  We’ve simply been alienated by the loud, fractious, and divisive minority of the extreme Left and Right.  Wheelan makes a strong argument for the need to emotionally and intellectually reinvest in our country and for a means to do that.  I, for one, feel invigorated after reading this book.  Like a good political rally, the book sparked my interest and my hope for a brighter future.  So, if you’re one of us, left slack-jawed by the screaming histrionics of Glenn Beck or Michael Moore, left angry and confused by the pointless and self-destructive obstructionism consuming Congress, disillusioned by the ‘us or them,’ hate-thy-neighbor rhetoric of the extremists, or tired of voting for the ‘lesser evil,’ then check out this book.  For the first time in a long time, I feel like maybe I’ll want to vote for someone again, instead of against the other guy.  Wouldn’t that be something?  Gun licensing is not the first step in and Orwellian nightmare; gay marriage is not the fist step to sex with ducks, organic farming will not feed the world’s population, building and maintaining a fortune is not immoral, climate change is not a liberal conspiracy, and wanting to own a gun isn’t compensating for a small penis (all actual arguments I have heard).  If you’ve ever disagreed with people because they were a Republican or because they were a Democrat, and not because of what they said, you’re part of the problem and you need a dose of centrism.  Give this book a read, and welcome back to the world of the sane.




The Centrist Manifesto
Author: Charles Wheelan
Publisher: Norton
ISBN: 978-0-393-34687-9

-Matt

Monday, October 10, 2011

Matt’s Weeks in Dork! (9/25/11-10/8/11)



    I’ve had a fairly crazy couple of weeks…Nay, couple of months…Nay, year.  But, it’s also been a busy couple of weeks, with a poorly timed sick day.  Thus, I have two weeks in Dork (and a ton of other stuff to try to catch up on…Sorry cineAWESOME!).  But, here are the movies, none the less. 


Doctor Who: Castrovalva:  Peter Davison’s first story is hardly anything to write home about, but it’s watchable.  Sadly, like a lot of episodes around this time, it features The Master, a character I find myself liking less and less the more I rewatch the show.  He twirls his mustache and hatches dastardly plans, and might as well say things like ‘curses, foiled again.’  It also has Adric and Tegan, two of my least favorite companions.  Yet, with all those negatives, it’s still an OK story.  And I find myself enjoying Davison already.  I remember as a lad not caring for either him or Colin Baker, so I’m curious to see how I’ll feel this time around.


The Broken:  While well acted and dripping with mood, I found The Broken to ultimately be something of a let down.  I like the ideas.  It just seems like they never went anywhere.  It’s not bad.  Probably worth a watch for people who like more thoughtful horror (there’s a little gore, but not too much).  I just wish there was more substance to it, because the substance that was there was intriguing.


Mystery Science Theater 3000: Gunslinger:  Funny, but a painful movie to sit through.  The boys give it their usual what for, and it’s got plenty of chuckles.  Not amazing, but good for a fan of the show.


The Killer Elite:  This is a pretty good action/espionage film.  Sort of Bourne meets Syriana?  All the leads are good, and it has a really good cast of ‘that guy’ actors to lend support.  The very first time I’ve ever liked Dominic Purcell, with his rockin’ 70s cop facial hair.  Not bad action, though I can almost always deal with less shaky-cam and/or close-ups during fights.  It’s worth checking out, and it’s one of the better movies Clive Owen has been in for a while.  It’s also the most badass he’s been in a LONG time.  Let’s hope we see more of this side of him.


Forgotten Silver:  A fun, cute, fake documentary about a forgotten pioneer of film.  The filmmakers did a fine job of mixing fantasy and reality to create the life of this New Zealand hero that had somehow been lost to history.  Thrill as they discover the long lost sets for his Biblical epic.  Wonder at the treasure trove of film cans.  And enjoy various filmmaker celebrities talk about their knowledge of this mysterious man.


The Phantom Carriage:  Kind of like A Christmas Carol, if Scrooge were Hitler.  I don’t care if the lead character has learned his lesson.  He may be one of the most reprehensible people ever put to film, and I don’t want him to get away with the horrors he brought upon people.  The movie itself is fun, with some creepy early special effects.  Though at times, scenes drag on for FAR too long (like when the carriage goes out on the water to fetch the drowned man…Oh, man that scene wouldn’t end!).  Worth a watch for silent film fans, for sure.


Bend of the River:  Another Western by Anthony Mann, starring Jimmy Stewart, this is more what you expect from Stewart.  Sure, he’s got a shady past, but he’s basically a good guy who wants to make a new life for himself with some settlers.  Issues of forgiveness and second chances are central to the story, which is mostly standard Western stuff.  It’s good, but nothing special.


Doctor Who: Four to Doomsday:  What a crazy episode.  Just weird.  So weird.  The basic set-up isn’t really anything too original.  A ship is bound for Earth is home to examples of several old human civilizations, and there is a sinister potential for an invasion.  From there, it goes nuts.  You just have to see it.


Cirque Du Freak:  The Vampire’s Assistant:  A surprisingly charming kid adventure movie, this one finds a young man mixed up with some good natured freaks and something of a heroic old vampire.  Plenty of good comedy bits, some surprising turns, and a clever script.  Worth checking out.  It’s too bad so few did, as this would probably have made for a good franchise.


Room in Rome:  First thing’s first.  If you have a problem with nudity or lesbians, this isn’t the film for you.  Getting past that, this is a surprisingly fun romantic film about a night of passion.  Can real connections be made with a stranger?  Can casual sex lead to something less casual?  I’ve really liked Elena Anaya since seeing her in Sex & Lucia (by the same director), and she has a lot more to do here.  And Natasha Yarovenko is also quite excellent.  The only other cast member (not counting voices or appearances on cell phones) is Enrico Lo Verso, who is charmingly goofy as a hotel employee.  A very intimate film that I found myself enjoying far more than I expected to.  And it gave me oddly nostalgic feelings for reasons I can’t explain.


Fringe: Season One:  I loved the X-Files, and my favorite episodes were always the ‘science’ stories.  Fringe is kind of like a whole series of that sort of thing, but with a more consistent feel vision.  The first season, while episodic, feels like it’s setting up for something, building toward something, and by the end, you see that it is.  I wish the season was a bit tighter.  Perhaps 16 episodes instead of 20.  But it’s a solid show and I’m looking forward to seeing where they take it.


Detective Dee and the Mystery of the Phantom Flame:  Tsui Hark delivers his usual odd brand of blockbuster action fantasy in this semi-mystery starring Hong Kong superstar Andy Lau.  The usual elements are there.  Tons of characters, lots of convoluted subplots that wrap back in on each other, tragedy, comedy, wacky wire-work, and plenty of daring do.  While this won’t go on my list of favorites, it’s a solid, fun martial arts fantasy.  In spite of being the star, I do wish Andy Lau had more to do.


Catwoman:  “The most merciful thing in the world, I think, is the inability of the human mind to correlate all its contents. We live on a placid island of ignorance in the midst of black seas of infinity, and it was not meant that we should voyage far.”  -H.P. Lovecraft.  Imagine this film as the pages of the Necronomicon.  Just don’t open it and all will be well.


Do Not Disturb:  I’d never heard of this film.  And, now I know why.  I’m a huge Rod Taylor fan, but he can’t do much to save this unfunny mess.  Doris Day is just annoying, and the back and forth, back and forth, back and forth comedy of errors storyline gets old really fast.  Don’t bother.  Both stars have been better in better films.


Doctor Who: Kinda:  Man, the stories got really, really weird during the 80s.  Many Peter Davison era stories almost feel like they’re based on novels, and key concepts don’t make the translation.  Still, they can be quite interesting.  I still can’t stand Tegan, though.  But the guest actors are excellent.


The Horror Show:  House III?  Whatever.  Silly and strange, this slice of 80s pie is a lot of fun.  Go to horror champion Lance Henriksen goes toe to toe with ugly mugged Brion James, who has a lot of fun hamming it up as a butchering serial killer from beyond the grave!




    I also kept reading some of DC’s New 52, and frankly have continued to be unimpressed.  Yes, Catwoman is as ridiculous as everyone says.  I like boobs and cheesecake as much as the next nerdy guy, but come on.  And I finished up Christopher Hitchens’ book Why Orwell Matters, which was an interesting read, placing Orwell in some historic context, giving some insight into his thought, and making a strong case for why he should still be read.  I myself read 1984 in the months following Gulf War Part I, and found the book to be frighteningly timely, and I don’t think anything has changed since then.


    In other book related news (sort of), I’m borrowing a Nook from my fellow Dork, so I can finally read Christa Faust’s Hoodtown, a novel set in an alternate world where some folks wear masks, and some folks don’t, but murder still means trouble.  It’s good.  Sadly, I’m moving slowly through it, because it’s my commute book for bus trips to work.  But, I’m really enjoying it, and suggest, if you’ve got a Nook, check it out.  It’s only like $3. I think.


    As far as music goes, I haven’t been experimenting lately.  Mostly just chilling out to some electronica, especially the soundtracks to Drive and Hanna and some Ladytron.  I feel like I’ve got some kind of kick about to happen, but I don’t know what it is.  Maybe funk?  That said, I did discover this cool bit of audio goodness on YouTube.  Folks have been creating audio format works of Lovecraft, and I’m all for it.



-Matt